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2005 « A Hitchhiker’s Guide to Sixties Art in Canada. Le Guide de l’auto-stoppeur pour l’art des années soixante au Canada », Vernissage, hiver 2005, pp. 18-19 DAULT, Gary Michael, "Still Boxing, Still Winning", The Globe and Mail (April 30, 2005) LAHEY, Anita, « Studio Sixties: Art Unbound. Les années soixante : Une décennie d’art sans limites », Vernissage, hiver 2005, pp. 8-9 JEAN, Marie-Josée, « Iain Baxter& », in Martha LANGFORD (éd.), Image & Imagination. Le Mois de la Photo à Montréal 2005, Montréal, McGill-Queen’s University Press, 2005 LEMAN, Dilys, "Sixties Remembered. Contemporary Art and the National Gallery of Canada", Vernissage (Winter 2005): 14-15 2004 "Baxter: 'Compelling and Cool Idea", The Ottawa Citizen (March 13, 2004) BAXTER, Iain, "Teaching George Sawchuk: Art as Experience", Rough Hewn: The Art of George Sawchuk (Prince George: Two Rivers Gallery, 2004): 1-3 SHAW, Ted, "Artist’s Code : Love, Play, Wonder", The Windsor Star (March 4, 2004) SILCOX, David P., « Iain Baxter », Les Prix du gouverneur général en arts visuels et médiatiques, Ottawa, Conseil des Arts du Canada, 2004, pp. 18-25 TILLEY, Jim, "Bottles of Water Won’t Attract People to Gallery", The Windsor Star (March 4, 2004) 2003 AARONS, Philip, "Paper Dwellings", Art on Paper, Vol. 8 (November/December 2003): 26-27 DOMINO, Christophe, « Some Things about N.E. Thing Co. En quelques remarques et cinq pièces des années 1966-1969 ou Portrait de Iain Baxter en artiste brut du conceptuel », Trouble, No. 3, été 2003 PENNER, Derrick, "Trashed Electronics Play Up 'Idea Art’: Throwaway Society Criticized by Artistic Work", Edmonton Journal, (June 18, 2003): B8 "Shore/Lines. Responding to Place", Canadian Art, Vol. 20, No. 2, (Summer 2003): 51-58 2002 ALLAN, Ken, "Business Interests, 1969-71 : N.E. Thing Co. Ltd., Les Levine, Bernar Venet and John Latham", Parachute, No. 106, (April/June 2002): 106-122 "Artist’s Exhibition Explores GMOs at Library", Sackville Tribune-Post (November 27, 2002): A7 BOETTGER, Suzaan, Earthworks : Art and the Landscape of the Sixties (Berkeley: University of California Press, c2002) BOETTGER, Suzaan, "Swept Away. Carl Andre’s Grave and Early Earthworks", Sculpture, Vol. 21, No. 10 (December 2002): 36-41 DELGADO, Jérôme, « D’ami à victime », La Presse, 11 mai 2002, p. D18 LAMARCHE, Bernard, « La ferme des animaux », Le Devoir, 18 mai 2002, p. D8 OSBORNE, Catherine, "Products, Place, Phenomenon: Iain Baxter Continued…", Lola, En ligne, <http://www.lolamagazine.com/lola/baxter2.html>, consulté le 25 avril 2002 2001 PROVENZANO, Frank, "Art Shakes Hands with Commerce in two Exhibits", Detroit Free Press (January 21, 2001) ROCHEFORT, Jean-Claude, « La pâleur du reflet », Le Devoir, 20 octobre 2001, p. D12 2000 MINI, Lana, "STUFF Is a Commentary on Social Change" , Detroit News (December 2000) MOCK, Roberta, Performing Process – Creative Live Performance (Bristol: Intellect Books, 2000) SOUTTER, Lucy, "The Visual Idea: Photography in Conceptual Art", Thèse de doctorat / Doctoral thesis (New Haven: Yale, 2000) "The Ministry of Silly Walks Redivivus (with Apologies to John Cleese)" , Artichoke (Fall/Winter 2000): 18-22 1999 BAXTER, Iain, "Artist’s Statement", Iain Baxter : Landscape Works (Banff: Walter Phillips Gallery, 1999) * DOMINO, Christophe, « N.E. Thing Co, Iain Baxter. Petits arrangements avec le paysage », À ciel ouvert, Paris, Scala, pp. 40-43 GARNEAU, David, "Natural Double Takes", Border Crossings (1999): 52-53 GOPNIK, Blake, "Look Back in Wonder", The Globe and Mail (July 31, 1999) LAVIOLETTE, Mary-Beth, "Landscape Artists Travel Different Roads", Calgary Herald (May 22, 1999): ES4 McKASKELL, Robert, "Making it New! (Scenes from the Sixties)", Making it New! (The Big Sixties Show) (Windsor: Art Gallery of Windsor, 1999): 13-21 MEWBURN, Charity, Sixteen Hundred Miles North of Denver (Vancouver: Morris and Helen Belkin Art Gallery, 1999) * MILROY, Sarah, "A Trickster Who Makes Serious Art", The Globe and Mail (June 5, 1999): C7 TOPALIAN, Marco Y., "Québec Art in the 1960s : Art from the Masses for the Masses", Making it New! (The Big Sixties Show) (Windsor: Art Gallery of Windsor, 1999): 23-27 TOWNSEND, Melanie, "In Praise of Baxter’s Folly", Iain Baxter : Landscape Works (Banff: Walter Phillips Gallery, 1999) * 1998 DOMINO, Christophe, « Iain Baxter. Art Is All Over », Art Press, No. 234, avril 1998, pp. 50-53 Home Base : Notes to an Installation (Kamloops: Kamloops Art Gallery, 1998) OSBORNE, Catherine, "Products, Place, Phenomenon : Iain Baxter", Lola, No. 3 (Winter 1998): 28-29 VIAU, René, « Comment dynamiser le Centre culturel canadien de Paris », La Presse, 1 décembre 1998, p. C19 1995 GOLDSTEIN, Ann, Anne RORIMER, "Introduction", Reconsidering the Object of Art : 1965-1975 (Los Angeles: The Museum of Contemporary Art, 1995): 13-15 JENKINS, Susan L., "Information, Communication, Documentation : An Introduction to the Chronology of Group Exhibitions and Bibliographies", Reconsidering the Object of Art : 1965-1975 (Los Angeles: The Museum of Contemporary Art, 1995): 269-275 JOHNSON, Ellen H., "Modern Art and the Object from Nineteenth-century Nature Painting to Conceptual Art", Modern Art and the Object of Changing Attitudes (New York: Harper & Row, 1995 (1976)) LIPPARD, Lucy R., "Escape Attempts", Reconsidering the Object of Art - 1965-1975 (Los Angeles: Museum of Contemporay Art, 1995): 16-41 MELVILLE, Stephen, "Aspects", Reconsidering the Object of Art : 1965-1975 (Los Angeles: The Museum of Contemporary Art, 1995): 229-245 MILROY, Sarah, "N.E. Thing Co., Canada’s First", Canadian Art, Vol. 12, No. 3 (Fall 1995): 25 "N.E. Thing Co.", Reconsidering the Object of Art : 1965-1975 (Los Angeles: The Museum of Contemporary Art, 1995) WALL, Jeff, "Marks of Indifference: Aspects of Photography in, or as, Conceptual Art", Reconsidering the Object of Art : 1965-1975 (Los Angeles: The Museum of Contemporary Art, 1995): 247-267 1994 HOLUBIZKY, Ihor, Iain Baxter's Landscapes (Comox Valley: Arts Alliance Public Gallery, 1994) MORGAN, Robert C., "Conceptual Art: The Internalization of the Document", Conceptual Art – An American Perspective (London: McFarland & Co., 1994): 27-47 MORGAN, Robert C., "The Photograph as Information Within the Context of Art", Conceptual Art – An American Perspective, (London: McFarland & Co., 1994): 49-77 "Steel Boxes from 'Most Important’ Artist", North Island News (August 7, 1994): 10 1993 TOWNSEND-GAULT, Charlotte, Frame of Mind, Viewpoints on Photography in Contemporary Canadian Art (Banff: Walter Phillips Gallery, Banff Centre for Arts, 1993): 13-14 WATSON, Petra R., "N.E. Thing Co.", Parachute (July/September 1993): 45-46 WATSON, Scott, "Discovering the Defeatured Landscape" in Stan DOUGLAS (ed.), Vancouver Anthology. The Institutional Politics of Art (Vancouver: Talonbooks, 1993): 247-265 WOOD, William, Nancy SHAW, You are Now in the Middle of an N.E. Thing Co. Landscape (Vancouver: UBC Fine Arts Gallery, 1993) * 1992 BENTLEY MAYS, John, "Survey of Pop’s Project Worthwile for Fan or Foe", The Globe and Mail (October 24, 1992): C6 BENTLEY MAYS, John, "The Anti-Art of Canadian Identity", The Globe and Mail (April 28, 1992) BRONSON, AA, "Introduction", Media Works. N.E. Thing Co. Ltd. (Toronto: Art Metropole, 1992) * WOODS, William, "Capital & Subsidiary, the N.E. Thing Company and Conceptual Art", Parachute, No. 67 (July/September 1992): 12-16 1991 BENTLEY MAYS, John, "Probing What Lies Between 'Here’ and 'There’", The Globe and Mail (January 24, 1991) GENEREUX, Linda, "Iain Baxter, Carmen Lamanna Gallery", Artforum (April 1991): 134-135 HUME, Christopher, "Baxter’s Back with Biting Commentaries", The Toronto Star (January 25, 1991) HUTCHEON, Linda, "Glances Askance: Visual Ironies", Splitting Images. Contemporary Canadian Ironies (Toronto: Oxford University Press, 1991): 113-136 OLEKSIJCZUK, Denise, "Nature in History: A Context for Landscape Art", Lost Illusions: Recent Landscape Art (Vancouver: Vancouver Art Gallery, 1991): 5-24 SHAW, Nancy, "Expanded Consciousness and Company Types: Collaboration Since Intermedia and the N.E. Thing Co.", Vancouver Anthology: The Institutional Politics of Art (Vancouver: Talon Books, 1991): 85-103 WILSON, Alexander, "Nature at Home. A Social Ecology of Postwar Landscape Design", Border/Lines, No. 22 (Summer 1991): 18-25 1990 BENTLEY MAYS, John, "Engaging Historical Vignette an Exploration in Ways of Seeing", The Globe and Mail (June 8, 1990): C6 BENTLEY MAYS, John, " Ways of Seeing: An Engaging Peek Into the Past" , The Globe and Mail (June 8, 1990): A21 "Louise Chance Baxter: The Joy Within the Art", The Kingsville Reporter (February 6, 1990) WALLACE, Ian, " Photoconceptual Art in Vancouver", 13 Essays on Photography (Ottawa: Canadian Museum of Contemporary, 1990): 94-112 1988 Calgary Herald (January 20, 1988) JANOFSKY, Michael, "Calgary Tries a 'Snow Dance’", The New York Times (February 2, 1988): B8 L’artiste au jardin, Rimouski, Musée régional de Rimouski, 1988 Out-Side-In (Calgary: Nickle Art Gallery, 1988) 1987 From Sea to Shining Sea (Toronto: The Power Plant Gallery, 1987) PAKASAAR, Helga, Food for Thought (Banff: Walter Phillips Gallery, 1987) TOUSLEY, Nancy, "Baxter’s Back", Canadian Art, Vol. 4, No. 4 (Winter 1987): 14 1985 HUTCHEON, Linda, "The Pragmatic Range of Parody", A Theory of Parody : The Teachings of Twentieth-Century Art Forms (New York: Methuen, 1985): 50-68 HUTCHEON, Linda, "The Paradox of Parody", A Theory of Parody : The Teachings of Twentieth-Century Art Forms (New York: Methuen, 1985): 69-83 HUTCHEON, Linda, "Encoding and Decoding: The Shared Codes of Parody", A Theory of Parody : The Teachings of Twentieth-Century Art Forms (New York: Methuen, 1985): 84-99 HUTCHEON, Linda, "Conclusion: The World, the Parodic Text, and the Theorist", A Theory of Parody: The Teachings of Twentieth-Century Art Forms (New York: Methuen, 1985):100-117 1983 BALKIND, Alvin, "The Triumph of the Egg", Visions: Contemporary Art in Canada (Vancouver: Douglas & McIntyre, c1983): 11-43 BALKIND, Alvin, "Worlds Within Worlds and Hemispheres", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 188-189 BECK, Claudia, "Through the Looking Glass. Vancouver Photography in the Seventies", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 274-285 BENTLEY MAYS, John, "The Snake in the Garden", Visions: Contemporary Art in Canada (Vancouver: Douglas & McIntyre, c1983): 157-189 BRONSON, A. A., "The Humiliation of the Bureaucrat: Artist-Run Centres as Museums by Artists", Museums by Artists (Toronto: Art Metropole, 1983) BURNETT, David, Marilyn SCHIFF, Contemporary Canadian Art (Edmonton: Hurtig Publishers, 1983) FARRELL-WARD, Lorna, "The Sixties : Alternating Currents", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 132-141 LOWNDES, Joan, "The Spirit of the Sixties by a Witness", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 142-151 NEIL, Al, "Sam", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 152 NEMIROFF, Diana, "Rethinking the Art Object", Visions: Contemporary Art in Canada (Vancouver: Douglas & McIntyre, c1983): 193-221 PERRY, Art, "Artist Has Place in Big Business", The Province (July 27, 1983): B10 PINNEY, Marguerite, "Voices", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 174-187 Sequences (Peterborough: Peterborough Art Gallery, 1983) SILCOX, David P., "An Outside View", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 153-159 THÉBERGE, Pierre, "Personal Perspectives", Vancouver: Art and Artists 1931-1983 (Vancouver: Vancouver Art Gallery, 1983): 256-257 TOWNSEND-GAULT, Charlotte, "Iain Baxter and Jeffrey Spalding at James Ulrich Gallery", Vanguard (November 1983): 39-40 1982-83 "Artists with their Work: Iain Baxter", Journal - Art Gallery of Ontario (Winter 1982-83) 1982 Alberta Report (February 8, 1982): 27 BALFOUR BOWEN, Lisa, "Peering Through the 'Gates of Perception’", Toronto Star (February 6, 1982): F5 BAXTER, Iain, "Color/Language Studies : 1973-82", Art Journal, Vol. 42, No. 2 (Summer 1982): 110-113 DONOHOE, Victoria, "Bringing Art to the People in an Instant", Philadelphia Inquirer (July 18, 1982): 8 FLEMING, Marie L., Baxter2. Any Choice Works (Toronto: Art Gallery of Ontario, 1982) * GRESCOE, Paul, "Reflections on America. Iain Baxter Has a Nation in the Palm of his Hand", The Gazette (March 20, 1982) KERNAN, Michael, "The Anything Artist", The Washington Post (July 5, 1982): D6 LEIGHTON, David, "Fathers of Confederation", Artists, Builders & Dreamers – 50 Years at the Banff School (Banff: McClelland and Stewart, 1982): 65-70 MALONE, Judith, "Key Works From the Sixties by Artist Iain Baxter", The Gallery – A Publication of the Art Gallery of Ontario, Vol. 4, No. 2 (February 1982): 1 PHILLPOT, Clive, "Words and Wordworks", Art Journal of College Art Association of America (Summer 1982): 110-113 TARZAN, Deloris, "Iain Baxter : An Englishman’s Outrageous Art Spans Earthworks, Melted Ice, Mirrors and Instant Photographs", The Seattle Times (September 29, 1982) 1981-82 CAMERON, Eric, « Le Président Iain Baxter prend des photographies », Vie des arts, Vol. 26, No. 105, hiver 1981-82, pp. 59-61, 90-91 1981 CELANT, Germano, « Le livre comme œuvre d’art : 1960-72 », Books by Artists, Toronto, Art Metropole, 1981, pp. 105-126 Iain Baxter. Instantaneous Response: Polaroid Photo Art (Calgary: Alberta College of Art, 1981) * PERRY, Art, "Baxter’s Magic: It’s All Done with Mirrors", Vancouver Province (December 13, 1981): 6 WILKIN, Karen, "Ten Canadians – and How a Controversy Grew", Art News, Vol. 80 (February 1981): 104-107 1980 "10 Canadian Artists Exhibition to Tour Europe", The Gallery – A Publication of the Art Gallery of Ontario, Vol. 2, No. 7 (September 1980): 1-2 10 Canadians in the 70's (Toronto: Art Gallery of Ontario, 1980) Afterimage, Vol. 7 (March 1980): 20 BRADLEY, Jessica, « Introduction », Pluralities / 1980 / Pluralités, Ottawa, Musée des beaux-arts du Canada, 1980, pp. 9-14 KANGAS, Matthew, "Earthworks : Land Reclamation as Sculpture", Vanguard (February 1980): 16-21 MacKAY, Allan, « Iain Baxter. N.E. Thing Co. Ltd. », Pluralities / 1980 / Pluralités, Ottawa, Musée des beaux-arts du Canada, 1980, pp. 23-25 MARVEL, Bill, "A Cross-Country 'Handscape’", Dallas Times Herald (1980) MURRAY, Joan, "10 Canadian Artists in the 1970’s at the Art Gallery of Ontario", Artmagazine, Vol. 12, No. 51 (November/December 1980): 23-25 NOAH, Barbara, "Cost-Effective Earth Art", Art in America, Vol. 68 (January 1980): 13-15 TOUSLEY, Nancy, "Pluralities, National Gallery of Canada", Artforum, Vol. 19 (December 1980): 83-84 1979 FOOTE, Nancy, "Monument-Sculpture-Earthwork", Artforum, Vol. 18 (October 1979): 32-37 LANGAGER, Craig, "The Arts (Earthworks)", Newsletter of the King County Arts Commission, Vol. 8, No. 7 (July 1979): 6 1978 KEZIERE, Russell, "Russell Keziere. Exporting Credibility", Vanguard (February 1978): 5-7 1977-78 INGRAM, David, "Focus on Language. The Art of N.E. Thing Co.", Vanguard (December 1977/January 1978): 13 1976 KIRBY, William, West Coast Waves (Winnipeg: Winnipeg Art Gallery, 1976) 1975-76 ROSENBERG, Ann, "N.E. Thing Company Section", Capilano Review (Fall 1975/Spring 1976): 135-181 1973 DALEY, Janet, "All the King’s Horses…", Art and Artists, Vol. 8, No. 6 (September 1973): 8-10 LIPPARD, Lucy R., Six Years: The Dematerialization of the Art Object from 1966 to 1972 (New York: Praeger Publishers, Inc., 1973) ZEMANS, Joyce, "Video Activityof N.E. Thing Co. Ltd.", Artscanada, Vol. 30, No. 182-183 (October 1973): 61 1972 HAMILTON, Richard (ed.), Polaroid Portraits (Stuttgart: Hansjørg Mayer, 1972) MEYER, Ursula, Conceptual Art (New York: E.P. Dutton & Co. Inc., 1972) "Realism : Emulsion and Omission", Agnes Etherington Art Centre Bulletin (September 1972) 1971 Lithographs (Ottawa: National Gallery of Canada, 1971) LIVINGSTON, Jane, "Thoughts on Art and Technology", A Report on the Art and Technology Program of the Los Angeles County Museum of Art 1967-71 (Los Angeles: Los Angeles Museum of Art, 1971): 43-47 LOWNDES, Joan, "Iain Baxter (N.E. Thing Co. Ltd.)", Artscanada, Vol. 28 (June 1971): 79 POINSOT, Jean-Marc, Mail Art Communication, A Distant Concept (Paris: Éditions CEDIC, 1971) The Vancouver Sun (January 15, 1971): 6A TUCHMAN, Maurice, "Introduction", A Report on the Art and Technology Program of the Los Angeles County Museum of Art 1967-71 (Los Angeles: Los Angeles Museum of Art, 1971): 9-29 1970 BALKIND, Alvin, "Vancouver Scene and Unscene", Art in America, Vol. 58, No. 1 (January 1970): 123-26 CELANT, Germano, "Information, Documentation, Archives. Untitled", Domus (1970) HAYMAN, Sally, "He Collects Uncollectable Art Objects", Seattle Post-Intelligencer (June 21, 1970): 11 JACOBS, Jay, "The Iceman Cometh – Symptoms of the Seventies", Art in America, Vol. 58, No. 1 (January/February 1970): 62-67 KARSHAN, Donald, Conceptual Art and Conceptual Aspects (New York: New York Cultural Centre, 1970): 30-59 LIPPARD, Lucy R., "Art Within the Arctic Circle", The Hudson Review (February 1970): 665-674 McSHINE, Kynaston, Information (New York: Museum of Modern Art, 1970) PAYNTER, Susan, "N.E. Thing Can Happen When You Meet Iain Baxter", Seattle Post-Intelligencer (July 19, 1970): 6-7 Survey / Sondage 70 : Realisms / Réalismes, Montréal, Musée des beaux-arts de Montréal, 1970 TOWNSEND, William, Canadian Art Today (London: Studio International, 1970) Trans VSI Connection. NSCAD-NETCO. Sept 16-Oct 5, 1969 (Halifax: Nova Scotia College of Art and Design, 1970) * 1969 BAXTER, Iain, "Me", The Vancouver Sun (March 14, 1969): 10A DUFFY, Dennis, Marshall McLuhan (Toronto: McClelland and Stewart, 1969) KRITZWISER, Kay, "Canada. The Recent Scene", Arts Magazine, Vol. 43 (May 1969): 55-56 LIPPARD, Lucy R. "Iain Baxter: New Spaces", Artscanada, Vol. 26, No. 132/133 (June1969): 3-7 LIPPARD, Lucy R., "Notes in Review of Canadian Artists ’68", Artscanada, Vol. 26, No. 128-129 (February 1969): 25-27 LOWNDES, Joan, "Iain Baxter", The Province, May 16, 1969 MALCOLMSON, Harry, "Toronto’s Art Gallery Is On the Skids: A Crttic’s Angry Report", The Globe and Mail (1969) MÜLLER, Grégoire, "A Plastic Presence", Arts Magazine, Vol. 43 (November 1969): 36-37 New Art of Vancouver (Balboa: Newport Harbour Art Museum, 1969) "NON Sense Even When It’s Kidding", The Province, February 28, 1969, p. 13 Report on the Activities of the N.E. Thing Co. of North Vancouver, British Columbia, at the National Gallery of Canada, and Other Locations, June 4 – July 6, 1969 (Ottawa: National Gallery of Canada, 1969) * Studio, Vol. 178, No. 913 (July/August 1969): 39 Studio, Vol. 178, No. 914 (September 1969): 99 MESSER, Thomas M., David L. SHIREY, "Impossible Art - Why it Is", Art in America, Vol. 57, No. 3 (May 1969): 30-47 "Statements in Paint", Time (February 28, 1969): 46-49 "The Art World", The Montreal Star (June 21, 1969) TOWNSEND, Charlotte, "N.E. Thing Goes Across Continent", The Vancouver Sun (November 14, 1969) WHITE, Michael, "Believing is Seeing", The Montreal Star (June 14, 1969) "Why Not? N.E. Thing Display Asks The Ever-Burning Question", The Ottawa Journal (June 21, 1969) WOODMAN, Ross, "The Canada Council Collection", Artscanada, Vol. 26 (June 1969): 27-28 1968 ALSOP, Kay, "Chacun son goût – Or, Baby, Do your Own Thing!", The Province (October 17, 1968): 46 BALKIND, Alvin, "Vancouver", Artforum, Vol. 6., No. 9 (May 1968): 68-70 Canada 101 (Edinburgh: Edinburgh Festival of Arts, 1968) "Canadian Artists '68", Artscanada, Vol. 25 (December 1968): 79-81 FENTON, Terry, "Looking at Canadian Art", Artforum, Vol. 7, No. 1 (September 1968): 55-60 HARROP, Graham, "Valentine Greetings", The Vancouver Sun (February 9, 1968) LIPPARD, Lucy R., "Vancouver", Art News, Vol. 67, No. 5 (September 1968): 26, 70-71 LIVINGSTON, Jane, "Los Angeles", Artforum, Vol. 7, No. 2 (October 1968): 67 MELVILLE, Robert, "A Quick Look at Canadian Art", The Architectural Review, Vol. 143, No. 852 (February 1968): 147-150 N.E. Thing Company, "Piles", Artscanada, Vol. 25 (August 1968): 44-45 "Plastic Birds Batman’ It’s BALLOON GIRL", The Columbian (October 18, 1968) "Plastics", Artscanada, Vol. 25 (August 1968): 19-25 "Recent Acquisitions : The National Gallery", Artscanada, Vol. 25 (October 1968): 46 SCHAFER, R. Murray, "Cleaning the Lenses of Perception", Artscanada, Vol. 25 (October 1968): 10-11 SEITZ, William C., "Introduction", Seventh Biennial of Canadian Painting 1968 (Ottawa: National Gallery of Canada, 1968): 5-12 SMITHSON, Robert, "A Sedimentation of the Mind : Earth Projects", Artforum, Vol. 7, No. 1 (September 1968): 44-50 THOMPSON, David, "A Canadian Scene", Studio, Vol. 176, No. 904 (October 1968): 152-157 "The Arts: Big Scene", Time (December 6, 1968): 16 Younger Vancouver: Crossection ’68 (Victoria: Art Gallery of Greater Victoria, 1968) 1967 AYRE, Robert, "The Young Generation", The Montreal Star (July 22, 1967) FULFORD, Robert, "Sculpture '67", Artscanada, Vol. 24 (August/September 1967) FULFORD, Robert, "A Reward for Frivolity", Toronto Daily Star, February 2, 1967 LANGSNER, Jules, "Los Angeles", Art News, Vol. 65 (January 1967): 26, 63-64 LEIDER, Philip, "Vancouver, Scene with No Scene", Artscanada, Vol. 24, No. 109-110 (1967): 1-8 LOWNDES, Joan, "The Plastic World of Iain Baxter", The Province (February 3, 1967): 3 MALCOLMSON, Harry, "Plastic Festival at York", The Telegram, March 27, 1967 McPHERSON, Hugo, "Painting and Sculpture" in J.M.S. CARELESS and R. Craig BROWN (ed.), The Canadians, 1867-1967 (Toronto: Macmillan of Canada, 1967): 697-712 Perspective 67 (Toronto: Art Gallery of Ontario, 1967) ROCKMAN, Arnold, B.C. Painting '66 Presented by the National Gallery of Canada / La Galerie nationale du Canada présente Peinture '66 en Colombie-Britannique, Ottawa, La Galerie nationale du Canada / National Gallery of Canada, 1967 Sculpture 67 (Toronto: Art Gallery of Ontario, 1967) "The Arts : Jolly Bagman", Time (September 1, 1967) WALLACE, Ian, "About Art…", The Vancouver Sun, July 21, 1967, p. 8A 1966 "Art Calendar", The Globe and Mail (May 24, 1966) DELEHANTY, Peter, "The Changing World of Vancouver Artists", Vancouver Magazine (1966) "Bagged Cent", The Vancouver Sun, December 18, 1966 "Fun’s Fun, But Not at $500", The Vancouver Sun, December 13, 1966 1962 "One Man Show - Iain Baxter", Art - Journal of Contemporary Art (1962): 19-21 "U. Artist Adapts Style to Create a New Art", Idahonian (February 14, 1962) UENO, Teruo (traduit du japonais à l’anglais par Tetsuo YAMADA), "A New View of the Japanese Folding Screen", ART - A Quaterly Magazine of Contemporary Japanese Art, Vol. 10, No. 2 (May 1962) 1961 Asahi News – Japanese National Newspaper, December 6, 1961 "Art Student’s Work in Japan", Idahonian, December 6, 1961 1959 "This Automobile Accident Has An Artistic Ending", University of Idaho Reports (Spring 1959)* catalogue de nature monographique / monographical catalogue |