Jeanne Dunning
by Rachel Lauzon

By evoking the artificial—flesh-coloured nylons, a false outgrowth, a gelatinous skin-coloured mass—Jeanne Dunning maps out a reflection on the relationship to the female body that, instead of questioning the domain of appearances, is rooted in the deconstruction of the relationship to the flesh. The artist examines the connections between the flesh and the Self, looking beyond questions of seduction and power. Next»

Samuel Beckett
by Étienne Fortin

“When I first read Not I, I burst into tears. The text had an extraordinary emotional impact on me. I immediately felt it should be read very quickly. […] Beckett and I focused our attention on the rhythm, the screams, the breathlessness, and so on. But I never asked him what the play meant. The first time I rehearsed it, I fell apart. I had the impression I no longer had any body; I had no more reference points in space. […] I really had a feeling of falling forever.”1 Next»